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    The Big Yorkshire Gig List

    To find a comedy club near you, just use The Big Yorkshire Gig List.

    James Christopher / Triangle Man – Free solo Edinburgh Fringe show

    Follow my Edinburgh progress on Twitter @JCbeermat #triangleman

    Nice interview about my 2011 solo Fringe show.

    http://www.thenewcurrent.com/2011/07/11/12044/

    And after unleashing his first character creation at last year’s Festival, the hapless Lib Dem MP Michael Mound, James has upped the ante with his latest alter-ego – Jean… Paul! A Frenchman and a musical act, he detests the lazy British stereotype that musical comedians are charlatans who hide behind their instrument and garner applause for their musical skill rather than their wit.

    More information on James’ show can be found at the end of his interview.

    How are things going, you all ready for the Fringe?

    Posters: approved and sent to the printers. Blurbs and press releases: written and sent to various outlets. Accommodation: my bank balance is similar to that of a small third world country. Show: Writeen, and previewed in Newcastle, Manchester, Leeds, Preston, and my mate Andy Watson’s front room.

    The Fringe is several months planning for one month of absolute chaos, but I bloody love it and can’t envisage missing a year for the foreseeable future.

    Best five words that describe your show?

    If anything, too short.

    Tell us a bit about your show, what can we expect?

    Triangles. It’s about having more than two options, and the complications of the ‘third option’. My jokes and observations are born from this mind-set. I end by portraying Jean Paul, and new character who is a musical comic with a difference – his instrument is literally a triangle.

    In the middle, there’s a true story about the one time in my life when I got stoned, when I made a herb infused spaghetti bolognese. And to top it all off, a Burlesque interlude from Trixie Passion!

    How do you write your show, what inspires you?

    I write continuously for my regular set. This show, like last year’s, features a brand new character act. It’s a very different and very inspiring discipline to write for a character. Last year’s character was a politician who’d lost his seat, which involved a lot of research. This year, it feels more organic – the character feels much more developed and rich.

    What do you think makes the Free Fringe so worthwhile?

    £16 is too much for one hour of comedy. And it’s not as if that’s even a full evening’s entertainment. The Free Fringe have venues all over town, you get to see the sights and you get to see well-established acts alongside rising stars. I’m up for the full run, and I never get to see everything I want to see in the Free Fringe brochure.

    What would you want your audience to take from the show?

    That’s not up to me really! I hope people let me know what they took from the show by tweeting me at #JCBeermat. I’ve tried to make it as funny as possible, I’ve tried to provide variation and something to remember. I hope it stands out from the hours and hours of straight stand-up on The Fringe.

    What advice would you give someone bringing a show to the fringe?

    I got some great advice last year. Mostly, my crowds were fantastic and I had a brilliant time. But one afternoon, I had a rowdy group of drunks in. They were heckling, not in a hostile way, but because they wanted to be ‘involved’ in the show. My show culminated with a character peice in which I portrayed a fallen Lib Dem MP.

    It was quite conceptual and cerebral, and I was concerned it wouldn’t go down well with a gang of lagered up lads. I told the crowd I’d probably not do the character today, and someone said, ‘It’s YOUR show. Do what YOU want to do.’ So I did, and the rowdy lads noticed the change of tone and behaved very well during my character section. So that’s the advice I’d pass on – it’s YOUR show, nobody else’s.

    Category: Comedy
    Genres: sketch show, stand-up
    Group: James Christopher / PBH’s Free Fringe
    Venue: Dragonfly
    Event Website:  www.freefringe.org.uk
    Date: 6-27 August
    Time: 21:00

    YorkshireComedy is going to Edinburgh!


    Base Nightclub, Edinburgh Fringe Festival, PBH Free Fringe

    Now in our third year, YorkshireComedy returns to Edinburgh bigger and better than ever – in the 250+ capacity Base venue on Cowgate! I played this venue twice last year in a similar slot (afternoon delight), and both shows had well into three figures. We’re hoping for similar!

    The venue is usually a nightclub, but it transforms very effectively into a comedy club. A large stage, great PA and lighting, and row upon row of seating. An upstairs dancefloor converts to upper tier seating and has good views of the stage, for use when the downstairs floor is full. Base is ideally situated for flyering, being on the busy Cowgate, which runs parallel to The Royal Mile, and links The Pleasance with Grassmarket. Plus, it’s right next to the bottom floor tunnel entrance to The Underbelly, which has the dual advantage of being very busy, and providing shelter for flyering when it’s raining!

    YorkshireComedy first went up to the Fringe three years ago, in the rather smaller but very pleasant Illicit Still pub. Myself, Dan Bland, Lee Chamberlain and Richard Scully, plus the odd guest. We only called it Yorkshire Comedians because it was the only thing we had in common. So it came as a pleasant surprise when every day, when I asked whilst compering, between a quarter and a third of the crowd were from Yorkshire. I’m not sure this trick would work for every area of the UK, or if it’s a unique trait of Yorkshire pride! A happy accident. We got good numbers, and last year, we were given the slightly larger Dragonfly venue, just off Grassmarket, and Graham Lee joined us in the last week.

    This year, Lee Chamberlain is in Thailand, and unable to join us. Richard Scully has moved to Romania with work, but that hasn’t stopped him making the trip back for another stint with the Yorkshire show. Graham Lee also returns.

    Aware that we had a huge venue to fill, we set about adding some sparkle to the show. So this year, we are Yorkshire Comedy Cabaret. Burlesque performer Trixie Passion joins us, to perform a Yorkshire seaside themed sketch. Plus, every day we’re joined by a variety of performers, such as hilarious pirate sketch troupe Jollyboat, and the confoundingly comedic magaician David Adlnwick. Our teasingly cheeky poster is based on The Graduate, and complements the movie poster theme of my solo show, James Christopher / Triangle Man, which is based on A Nightmare On Elm Street.

    We’ve also got some large sandwich board signs with our poster on, so we’ll be hitting Cowgate, Grassmarket and The Royal Mile for our first show this Saturday.

    The Yorkshire Comedy Cabaret is at 15.45 everday except Wednesdays, from Saturday 6 to Saturday 27 August inclusive. Entry is free as part of the PBH Free Fringe, there’s a voluntary colleciton at the end. The show is 1 hr. Base is on Cowgate, venue number 56, Edinburgh EH1 1JW.

    Follow my Edinburgh progress on Twitter: @jcbeermat

    Comedy Posters

    Designing posters for comedy shows is an art form in itself. If they look too slick they don’t look that funny, if they don’t look slick enough they make the show look unprofessional. I design posters for my owns shows and others, but I enjoy looking at well designed artwork so with that in mind I’ve set up an on-line gallery for any comedy related posters from Stand Up gigs and Festival Shows to Cabaret and Burlesque.

    A lot of  people do some really good work designing posters for comics – usually on the cheap – so it would be good to be able to credit them and possibly help find them better paid work. With that in mind the posters added to the gallery include a link to the designer’s website as well.

    If you’d like to send in any work then there is a “Submit” page on the site which explains how to do so, or if you’re just interested in looking at nicely done artwork you can find the gallery at www.comedyposters.tk

    How to produce a Free Festival show at the Edinburgh Fringe

    This year after I arrived back from the fringe I wrote an article designed to help newcomers produce a show successfully. The main article was simply called “how to produce a free festival show“. Since then I’ve added more pieces to the site on promoting fringe shows, audience member feedback and series of interviews with comedy critics where they explain how they choose which shows they review and what they look for in a show. The site is aimed to be a helpful resource to anyone wanting to produce a show at the fringe regardless of which free organisation they choose.

    Articles keep getting added all the time. In the coming weeks there will be interviews with Steve Bennett, The Review team at the Stage including veteran critic Gerald Berkowitz who was voted to London’s prestigious Critics Circle in 2006, Tim Arthur from Time Out, Claire Smith from the Scotsman, Marissa Burgess, Julian Hall plus a few others who are still getting back to me. Two interviews will be published each friday.

    I’ll most likely stop adding articles in January once the application procedure opens up for the fringe. At that point I aim to have the site as a helpful on-line resource covering all aspects of fringe production.

    Settling back down after Edinburgh

    It’s been nice settling back at home since my stint at The Edinburgh Fringe Festival. I was doing a show with my brother, the comedian James Christopher. It was vibrant and exciting, and a nice pick-up after losing my seat in the elections. I honestly didn’t expect to enjoy it quite as much as I did, the crowds were fantastic. It was almost worth sacrificing a promising career in politics for.

    It’s good to know that yet again, I’m better than Lembit Opik – at politics, comedy, and hang gliding. In fact, there were even seven or eight gigs in which, I dare say, I outshone my brother!

    I’m being a tad cheeky there, as James had a great run. I honestly don’t think I could ever be as good as him, however long I tried. Which is ironic since I seem to be getting considerably more bookings than him at the moment. Well, he’s getting little club gigs and what not, fifty quid here, an open spot there. Whereas I’m getting corporate work and have a meeting with Dave next week. (Dave is not a boorish drunk, but a television channel, watched by boorish drunks). I guess it comes from having an outside perspective on the industry. Similarly, James is getting a lot of attention from the very same political outlets who no longer respond to my emails.

    I’m not sure what my long term plans for comedy are. I can’t help but think it would further harm my political reputation, but there’s not really anything left for me in politics. However, if I want to do Edinburgh next year then I’d have to do it on my own. James is already talking about doing a character act, which seems a bit dishonest and cowardly to me.

    I miss the hectic hum of Parliamentary life, but it’s nice to take a step back and observe the legacy of some of the things I achieved in my constituency. I left behind a very generous support scheme for the unemployed. Which of course, I now benefit from.

    I’ll keep updating on whatever it is that I end up doing.